the work of media artist
5 September - 21 September
Galerie Tokonoma, Paris
Even as I type these words I know that I will fail to fully describe my ideas.
And that is the point.
Starting with the premise that empathy is programmatic, Post-Cards from Post-America tempers mixed signals and the imprecision and impracticality of morphology to create a narrative of confusion. Mashing together the ontology of phonological and expressive needs, the work extrudes our current lack of coherence into a comic linguistic puzzle.
The barriers to expression are the first step – but after that what do we have to say? Are we speaking truth to power, or shouting into the wind? Do we even know what truth is – or are we satisfied with making it up as we go along?
an interactive project by John Sanborn
Jeu de Paume, Paris
for their Espace Virtuel
June 27 - November 2019
Museum Night September 17 at 19h
Our definition of negative is emptiness or a void—but as with music or design, the inverse verifies the positive. One cannot know joy without pain.
In creating NONSELF, I offer evidence of consciousness, constructed from the negative space that surrounds me. It’s easy to state what IS—but the impression made from what IS NOT speaks to what is “not me” as well as our current understanding of “truth”.
NONSELF is comprised of a series of 110 short videos each of which uses “not me” attributes, attitudes and perspectives to create an inverted self-portrait.
digital edition available via (s)edition
I am very pleased to announce that my first digital editions are on view and available at the innovative platform for a completely new way of purchasing digital art - (s)edition.
The initial release is a suite of four works from The Anesthesia Quartet – each is an exclusive digital creation, developed specifically for (s)edition - continuing my explorations of current themes, passions and practice.
It's delightful to anticipate how a work like this will be received and viewed in the homes of collectors - quite different than how the work will be consumed in a gallery.
created by John Sanborn
The National Museum of Qatar
Opened March 27, 2019
Alchemy celebrates the remarkable daring and enormous benefits of Qatar’s development of Liquid Natural Gas as a resource for the world. The work conveys the beauty and majesty of this achievement, in ingenious and poetic form; beginning with a mysterious unknown, continuing through three choreographic stages, and ending with a smile of recognition.
Produced by the Doha Film Institute
Edited by John Sanborn, Heloise Roueau and Roger Jones
Technical Direction by Dean Winkler and Roger Jones
CGI by Nice Shoes, New York